From Encyclopedia Britannica: - pop ballad, form of slow love song prevalent in nearly all genres of popular music. There are rock ballads, soul ballads, country ballads, and even heavy metal ballads.
Here is a selection of some of the most popular “pop ballads” of the 50s, 60s and 70s.
Charlie Santoss - One-Hit Wonders - Variedades - Instrumental Hits - Os Precursores - Hong Kong English Pop - Hong Kong Cantopop - The British Invasion - A Jovem Guarda
Saturday, February 5, 2011
AND I LOVE YOU SO (Shirley Bassey)
From Wikipedia:
Dame Shirley Veronica Bassey, DBE (born 8 January 1937 in Cardiff, Wales), is a Welsh singer who found fame in the late 1950s and has continued a successful career since then worldwide. She is best known for recording the theme songs to the James Bond films Goldfinger (1964), Diamonds Are Forever (1971), and Moonraker (1979), and is a UNESCO Artist for Peace. In the early and mid 1960s, Bassey had numerous hits on the UK charts, and five albums in the top 15. Her 1960 recording of "As Long As He Needs Me" from Lionel Bart's Oliver! reached #2, and had a chart run of 30 weeks. On 13 November 1960, Bassey made her debut performance on American television, appearing on The Ed Sullivan Show. In 1962, Bassey's collaboration with Nelson Riddle and his orchestra produced the album Let's Face the Music (#12) and the single "What Now My Love" (#5). Other top ten hits of the period included her second #1, the double A-side "Reach for the Stars"/"Climb Ev'ry Mountain" (1961), "I'll Get By" (also 1961), and a cover version of the Ben E. King hit "I (Who Have Nothing)" in 1963. During this period, Bassey appeared on the cover of Ebony magazine and sang at a Washington gala celebrating the end of President Kennedy's second year in office. In 1965, Bassey enjoyed her first - and only - U.S. Top 40 Billboard Hot 100 hit with the title song of the James Bond film, Goldfinger. The single peaked at #8, while the original soundtrack of Goldfinger hit #1 in the U.S. that same year. Also in 1965, she sang the title track for the spoof James Bond film The Liquidator, and had a Top 20 live album recorded during a sell-out run at London's Pigalle.
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