From Encyclopedia Britannica: - pop ballad, form of slow love song prevalent in nearly all genres of popular music. There are rock ballads, soul ballads, country ballads, and even heavy metal ballads. Here is a selection of some of the most popular “pop ballads” of the 50s, 60s and 70s.
Charlie Santoss - One-Hit Wonders - Variedades - Instrumental Hits - Os Precursores - Hong Kong English Pop - Hong Kong Cantopop - The British Invasion - A Jovem Guarda
Saturday, May 2, 2015
(From Wikipedia): Nancy Wilson (born February 20, 1937) is an American singer with more than 70 albums, and three Grammy Awards. She has been labeled a singer of blues, jazz, cabaret, pop and soul; a "consummate actress"; and "the complete entertainer." The title she prefers, however, is song stylist. She has received many nicknames including "Sweet Nancy", "The Baby", "Fancy Miss Nancy" and "The Girl With the Honey-Coated Voice".
Originally 'And I Love Her' composed by Paul McCartney, recorded by The Beatles in 1964.
Sunday, April 26, 2015
(From Wikipedia): "Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy (English lyrics by Dick Manning). It featured in the 1933 film The House on 56th Street, starring Kay Francis, was adapted for the soundtrack of the 1946 film, The Diary of a Chambermaid, starring Paulette Goddard, and then popularized in the 1955 movie The Grand Maneuver by René Clair. The theme was also used prominently in the b&w French film version of Gigi (1949) by Jacqueline Audry. Lastly, it also gained international renown when used in the 1957 movie Love in the Afternoon by Billy Wilder. A recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song. It first reached the Billboard magazine charts on September 9, 1957. On the Disk Jockey chart, it peaked at #7; on the Best Seller chart, at #12; on the composite chart of the top 100 songs, it reached #11. It was also recorded by Dinah Shore, Dick Jacobs, Nat King Cole, Earl Grant and David Carroll, all of whose versions, except Grant, made the charts.
Tuesday, April 21, 2015
(From Wikipedia): "Release Me" (sometimes rendered as "Release Me (And Let Me Love Again)"), is a popular song written by Eddie Miller, Robert Yount, and James Pebworth under the pseudonym Dub Williams, published in 1946 . Miller wrote the song in 1946 but could not get anyone to record it for years, so he recorded it himself in 1949. Shortly afterward it was covered by Jimmy Heap, and with even better success by Ray Price and Kitty Wells. Subsequently a big seller was recorded by Little Esther Phillips, who reached number one on the R&B chart and number eight on the pop chart. A version by Engelbert Humperdinck reached number one on the UK Singles Chart. The Engelbert Humperdinck song has the distinction in the UK of holding the number-one slot in the chart for six weeks during March and April 1967, and preventing The Beatles single, "Penny Lane" / "Strawberry Fields Forever", from reaching the top. "Release Me" was also the highest selling single of 1967 in the UK, recording over one million sales, and eventually became one of the best selling singles of all time with sales of 1.38 million copies.
Saturday, April 4, 2015
(From Wikipedia): "I (Who Have Nothing)" (sometimes billed as "I Who Have Nothing") is a song originally released in English by Ben E. King in 1963. "I (Who Have Nothing)" is based on the Italian song "Uno Dei Tanti" (English: "One of Many"), with music by Carlo Donida and lyrics by Giulio "Mogol" Rapetti. "Uno Dei Tanti" was released by Joe Sentieri in 1961. The English lyrics for "I (Who Have Nothing)" were written by Jerry Leiber and Mike Stoller, who also produced the Ben E. King record using the backing track from Joe Sentieri's record (orchestra conducted by Luis Enriquez Bacalov). The song was included in the musical revue Smokey Joe's Cafe. The original English Ben E. King version was released in 1963 and reached #29 on the Billboard charts. Other versions which reached the Billboard charts were performed by Terry Knight and the Pack in 1966 (#46), by Liquid Smoke in 1970 (#82), by Warhorse in 1972 and by Sylvester in 1979 (#40). The most popular version in the United States was by Tom Jones, peaking at #11 in Cash Box and at #14 in Billboard in the fall of 1970. Jones lyp-synched to the hit recording on a highly rated Raquel Welch television special that summer. Shirley Bassey released the song (produced by George Martin) in September 1963, reaching #6 on the UK charts. She performs the song at almost every live concert she gives, and it is on many of her compilation albums, including I Am What I Am with the London Symphony Orchestra, and her 1989 album La Mujer where she sings it in Spanish ("Hoy No Tengo Nada"). She has also been instrumental in making Donida's music known to English-speaking audiences through arranging for translations from the Italian, having performed with the composer conducting his own music on Italian television.
Wednesday, February 25, 2015
(From Wikipedia): "Almost There" is a song written by Gloria Shayne and Jack Keller and performed by Andy Williams. The song reached #2 in the UK, #12 on the U.S. adult contemporary chart, and #67 on the Billboard chart in 1964. The A-side, "On the Street Where You Live", was also a hit, reaching #3 on the adult contemporary chart and #28 on the Billboard Hot 100.
Tuesday, February 17, 2015
(From Wikipedia): "You'll Never Walk Alone" is a show tune from the 1945 Rodgers and Hammerstein musical Carousel. In the second act of the musical, Nettie Fowler, the cousin of the female protagonist Julie Jordan, sings "You'll Never Walk Alone" to comfort and encourage Julie when her husband, Billy Bigelow, the male lead, kills himself to avoid capture during a failed robbery. It is reprised in the final scene to encourage a graduation class of which Louise (Billy and Julie's daughter) is a member. The now invisible Billy, who has been granted the chance to return to Earth for one day in order to redeem himself, watches the ceremony and is able to silently motivate the unhappy Louise to join in the song.
In the United Kingdom, the song's most successful cover was released by Gerry and the Pacemakers in 1963, after the band's producer George Martin suggested that they record it as a follow up to their hit "I Like It," peaking at number one in the singles chart for four consecutive weeks. The song was first sung at Old Trafford by Jane Hardwick a teenage opera singer with New Mills Operatic Society, shortly after the Munich air crash tragedy in 1958. Fans on Liverpool's famous Kop first sang the song on Saturday November 30, 1963 and quickly became the anthem of Liverpool Football Club and is invariably sung by its supporters moments before the start of each home game. The words "You'll Never Walk Alone" also feature in the club crest and on the Shankly Gate entrance to Anfield, their home stadium.
Saturday, January 17, 2015
(From Wikipedia): "You've Lost That Lovin' Feelin'" is a 1964 song by The Righteous Brothers that became a number-one hit single in the United States and the United Kingdom the following year. In 1999, the performing-rights organization Broadcast Music, Inc. (BMI) ranked the song as having had more radio and television play in the United States than any other song during the 20th century. Additionally, the song was chosen as one of the Songs of the Century by RIAA and ranked #34 on the list of the 500 Greatest Songs of All Time by Rolling Stone.
The Righteous Brothers were the musical duo of Bill Medley and Bobby Hatfield. They recorded from 1963 through 1975 and continued to perform until Hatfield's death in 2003. Their emotive vocal stylings were sometimes dubbed "blue-eyed soul". Medley and Hatfield both possessed exceptional vocal talent, with range, control and tone that helped them create a strong and distinctive duet sound and also to perform as soloists. Medley sang the low parts with his deep, soulful baritone, with Hatfield taking the higher register vocals with his soaring countertenor. They adopted their name in 1962 while performing together in the Los Angeles area as part of a five-member group called The Paramours, which featured John Wimber (a founder of the Vineyard Movement) on keyboards. At the end of one particular performance, a U.S. Marine in the audience shouted, "That was righteous, brothers!", prompting the pair to adopt the name as they embarked on their duo career.